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I’m talking about the dream of watching a crush up on the screen and imagining that one day we might find ourselves playing opposite them and having them fall in love with us, not just as characters in a reel story, but our real lives.“Fair play to those who dare to dream.” Softly, those words fell from Irglová’s lips at the Academy Awards when she and Hansard took the prize for Best Original Song.A closing image, with Hansard in the spotlight while Irglova watches contently, can be read as either a newfound equilibrium or a suggestion that the duo will eventually follow different musical paths.Either way, “Swell Season” makes a bruised-but-sweet flip side to “Once’s” dreamy love song.That is not the case with Hansard and Irglová, and The Swell Season proves it in every single one of its frames.Their love was real and it still survives, albeit in a new state.
NEW YORK (Hollywood Reporter) - Tenderly dismantling the romantic mythology surrounding 2006’s indie smash “Once,” “The Swell Season” chronicles the surprise musical success of that movie’s stars Glen Hansard and Marketa Irglova.But she was still just learning to walk and was suddenly forced to find her voice, on such a big stage. The Swell Season captures them as they strip and skinny dip. They live, walk and, of course, sing in harmony, switching imperceptibly in and out of the lead. He is now off the street, striding and standing tall in the halls, drawing the public into a sense of shared intimacy as he sings to them, each and every one from the stage.And afterward, Hansard longs to see and thank everyone.In The Swell Season, directors Nick August-Perna, Chris Dapkins and Carlo Mirabella-Davis grant us exclusive access inside the ever-after of their fairy tale.Irglová is us, if we were thrust in such an uncompromising and glorious situation based on our talent and passion and our capacities to believably feel in the moment.
She had been given the chance to address the audience after the swelling music had cut her off during their initial time.